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# Global Domination

### Recent updates

- S(crap)s: I Miss My Death / Kaoskult / Raus & Perunwit (split) / Spatial / Thy Flesh (13/06/14)
- Hatebreed: The rise of brutality (12/06/14)
- Vomiting Corpses: Coma - The spheres of innocence (11/06/14)
- Mayhem: Esoteric warfare (10/06/14)
- S(crap)s: Akrotheism / Black Altar / Druknroll / Enthroned / Funeral Sutra (09/06/14)
- Agalloch: The serpent & the sphere (08/06/14)
- Dark Tranquillity: Construct (07/06/14)
- In Flames: The jester race (06/06/14)
- S(crap)s: Souldrainer / Tonic Breed / Rude / Defying / Electric Hellride / Scorned Disciple (05/06/14)
- Culted: Oblique to all paths (04/06/14)
- read

### Recent discussions

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## Lists of Domination

### Top 20 Debuts: Detox's wishlist

#### 09/03/12 || Detox

1. Massacre: From beyond (1991)

Somehow this didn’t make the overall Top 20 list, but it’s all good… as I can include at my top spot right here. Beautiful, high speed, demonic guitar leads flying all over the place across driving, pounding rhythms with maniacal death growls and occasional high shrieks (Eat your heart out, Dani Filth) to cover the creations. Not your typical death metal record and a record that many underground fans praise, but even more don’t know about. The album ends with a brilliant cover of the Death tune “Corpsegrinder” (Yes, that’s where the current Cannibal Corpse vocalist took his stage name from, kids) and it’s also worth noting that the aforementioned Cradle Of Filth paid tribute to these guys by doing a top notch cover of the album opener “Dawn of eternity” for their “From the cradle to enslave” EP. 1991 never tasted so good.

2. Monster Magnet: Spine of god (1991)

Back in the very early 90’s when Monster Magnet wasn’t the fairly stripped down, catchy hard rock band that would garner them radio play later in their career, the group relied on psychedelic prowess and stoner rock sensibilities with some heavy metal crunch and created one of the most mesmerizing records for all time. The group still tends to play at least 2 or 3 tunes from this record live on a regular basis and although the production is crude in areas, the musicianship is still top notch. Take note of the hypnotic nature of tunes like “Spine of god” (Epic before ‘epic’ became a dirty word that caused a violent, primal reaction inside you), “Zodiac lung” or the Grand Funk Railroad cover “Sin’s a good man’s brother”. This album was a great example of grooving in the early 90’s while nodding towards the 60’s and 70’s.

3. Skepticism: Stormcrowfleet (1995)

Thergothon may have come first, but with Skepticism the funeral doom landscapes changed forever and our kings were born. Although I personally prefer the two follow-up records (“Lead and aether” and “Farmakon”), there’s no denying the dark atmospheric power of this release. If you’re ever feeling just a little too happy for your own liking, throw on this record.

4. Dolorian: When all the laughter has gone (1999)

Although “Voidwards” will forever be my favorite Dolorian record (And possibly favorite doom metal record ever), this album was a brilliant start to their otherworldly blackened atmospheric doom metal saga. I want to live inside this band’s discography.

5. Coal Chamber: Coal chamber (1997)

Big truck! First and foremost, if you think that the first Coal Chamber album is a blatant rip-off of the first KoRn album you need your ears checked. It’s also worth noting that, to me, KoRn couldn’t hold a candle to Coal Chamber (Although Dez’s lyrics are a bit dumb at times, at least he was never a blubbering man child) and the pounding drive of this record further cements that fact. The riffs and structures may be simple, but they’re fierce to me all the same.

6. Reveille: Laced (1999)

Rage Against The Machine rip-offs? Fuck off. Better than RATM in every way, shape or form, Reveille never needed to annoy the public with politics or hate crime drivel to drive their catchy tunes home. Hitting just around the time of the nu metal boom in 1999, this album is often overlooked in favor of the more popular acts at the time. Also worth noting is that one of the tracks (‘Splitt’) features a guest appearance from the guys in Cypress Hill.

7. Death: Scream bloody gore (1987)

Why was this not on the actual Top 20 list? Complete madness. One of (If not) the very first death metal records and although crude in nature, it’s still a really good staple for anyone wanting to hear some of the earlier death metal offerings. Rest in peace, Mr. Schuldiner.

8. Powerman 5000: Mega!! kung fu radio (1997)

Before the space suits, the kids in Powerman 5000 relied heavily on funk metal and rap rock to get their message across and their debut was a great example of how to do it right and not sound like shit (looking at you, Red Hot Chili Peppers). Although I preferred when they grew a bit more of an industrial rock edge on the two subsequent albums, it’s undeniable that tunes like “Organizized”, “Car crash” and the title track are infectiously catchy, well crafted songs.

9. Brutality: Screams of anguish (1993)

Jeez, I really am biased aren’t I? Yes, it’s true… most of my favorite early death metal records do, in fact, hail from the great state of Florida but, in my defense, that state’s output was fucking stellar at the time! As with most of their contemporaries, the love here goes to the guitar work, but unlike a number of them, these guys actually made some good follow-up records. This album also has to have one of the best album openers ever in “These walls shall be your grave”. Also, what a puzzling looking cover piece.

10. Apartment 26: Hallucinating (2000)

Geezer Butler’s little boy is all grown up and tossing the nu metal-meets-industrial rock salad all over the kitchen floor! Another group that never got their due in favor of heartless groups like Disturbed, Godsmack or Papa Roach, these guys put out two really good records (including this fantastic debut), toured their asses off and then imploded out in England somewhere. The rhythms and use of electronics on this record are great, the sound is crisp and clear and the culmination of elements is just what I like to hear in my more mainstream recordings.

Top 10 -lists

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