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# Global Domination

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- S(crap)s: I Miss My Death / Kaoskult / Raus & Perunwit (split) / Spatial / Thy Flesh (13/06/14)
- Hatebreed: The rise of brutality (12/06/14)
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## Reviews

### Desperados: The dawn of dying

#### 13/08/09 || Habakuk

March 6th, 2000. The town of Heidelberg amidst the desolate German plains of Baden-Württemberg, Wild West-Germany. An Ennio Morricone song is playing. Followed by a cloud of dust, a black VW campervan with mustangs airbrushed to the sides appears from the nearby Autobahn leading to the Sodom Mines. Shortly before it rolls into town, its sound system shakes the ground sending a thunderous pinch harmonics guitar riff. The word spreads quickly: The Cowboys from Hell and their young gun front man are back! The inhabitants altogether run for cover and pull down the window shutters, women and children are locked up and the men hurry to grab their washed-out Pantera shirts from the bottom of their drawers hoping to be sent further down on the target list.

On the desolated main road, the camper van comes to a halt. Spitting out a hate-filled “Furrgh!”, a black coated giant gets out the driver’s seat. Great surprise among the dismayed watchers: It is no one else than the infamous… Angelripper! But what is this? He does not have his gold plated Winchester bass guitar on him? And he’s wearing a cowboy hat! What might he be up to? And who are the four guys in his posse? They have never been seen before around town… No, wait! One of them is an old partner of the Angelripper, Axel Kraft. But why does he keep on playing western-style acoustic guitar licks over the heavy southern metal riffs? All these questions come unheard as the fierce bunch pull their toy guns from their holsters and start wreaking havoc with sampled gunfight sounds. After law and order have thus been restored, the Angelripper announces – in a surprisingly heavy German accent – that “The dawn of dying” has come for this town. He and his sidekick feel victory’s in sight and sentimentally burst into a semi-ballad chock full of country bass, southern guitar and “Hey-ho!” shouts. A new hope arises amongst the citizens: Rejoice, this can’t be Pantera!

They choke on their laughter as the posse starts stomping through town with a barrage of heavily produced midtempo double-bass crushers featuring heavy guitars, catchy vocal lines that the dreaded Angelripper strains his vocal chords for like rarely heard before, thumpy bumm-bomm-bumm-bomm country bass, occasional mouth-harps and the ever-present twangy southern guitar on top of it. In their Whiskey-fueled frenzy of awesomeness, the posse heads straight for the general store and plunders the entire cheese counter reciting Wild West stories. Much to the dismay of the clerk, they don’t leave the shop without his favorite Stan Jones LP, “Ghost riders in the sky” and follow this gruesome act with a spontaneous “Yippie-ay-yeah”-heavy metal jam. After the 5 gunslingers have spent the night partying in the Oriental Saloon and drunk Axel has impressed the girls with his fake southern accent, the VW dashes out of town in the early morning hours. After dawn, the only thing reminding the town of the scourging visit is discovered by a young fellow sent out to the surrounding fields. All the cows have been branded with a mark that reads:

“DESPERADOS”.

The Angelripper and his posse however were never seen again together.

- Information
- Released: 2000
- Label: Drakkar
- Website: Desperados (/Dezperadoz) MySpace
- Band
- Tom Angelripper: vocals
- Axel Kraft: vocals, guitars
- Volker Liebig: bass
- Olli Lampertsdörfer: drums
- Ferdy Doernberg: piano

- Tracklist
- 01. The Beginning
- 02. As a Judgement (Ennio Morricone)
- 03. Gomorrah of the Plains
- 04. The Dawn of Dying
- 05. My Gun and Me
- 06. Gone with the Wind
- 07. Rattlesnake Shake
- 08. (Ghost) Riders in the Sky
- 09. Devil’s Horse
- 10. Jumpin’ Down a Running Train
- 11. Dodge City
- 12. Desperados
- 13. The End
- 14. Oriental Saloon

Reviews

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